An active member in cross-cultural collaboration, Vee has appeared in Hong Kong Arts Festival, New Vision Arts Festival, Taipei Arts Festival, Manchester International Festival, Spielart Theatre Festival Munich in recent years. She works closely with such artists as orleanlaiproject, No Discipline Limited, Performosa Theatre, Against Again Troupe, Betty Chen, as well as On & On Theatre Workshop where she was Resident Director from 2013-2018. She teaches Dramaturgy at Hong Kong Academy for Performing Arts.

A creative partner of “orleanlaiproject” in intermedia performance making, she conceived site-specific sound walk, Birds Sing Louder in the City (2019); and Claustrophobia (2017), a multi-channel performance of parallel narratives and intersensory perception. Zoo as Metaphor (2014, 2018) explores the notion of disappearance using the forms of immersive performance and experience design in the white-cube environment at the pristine heritage site, Oil Street Arts Space.

An award-winning writer-director, Vee is presented by On&On Theatre Workshop to stage such original works as The Plot (2018), a black comedy that musicalises a conference of voices in face of the precarity of modern existence--from global terrorism to the all-too-frequent metro standoffs; Fragments of Stones and Gold (2015) explores the rhetoric of “survival and success” in a neoliberal society through a monologue of a woman security guard and an ensemble of six actors and a musician. Reviewed as the best local work of 2015, its vigorous formal experiment is widely recognized. She also directed translated new writings Kassandra, oder Die Welt als Ende der Vorstellung (by Kevin Rittberger, 2017), Martin Crimp’s The City (2014), Caryl Churchill’s Far Away (2010), and recently Alice Birch's Anatomy of A Suicide (2023).

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